Abstract
As a writer, I have no qualms about drawing from my life to fuel my creative practice, though I adhere to some rules: like Brien (2002), I am guided by ‘a sincere desire to tell the truth’. It is in this manner that I have sometimes used myself as a character in works of fiction, as in ‘Letter to my children’ (in Fisher 2013a) and ‘Into the light’ (Fisher 2008). In these works, I refer to the sexual assault and subsequent suicide attempt I experienced in 1973 when I was 18. Some readers have objected to my classification of these works as fiction, arguing that I was writing non-fiction, memoir or biography. My counterpoint, however, is that these stories are not recounts of what actually happened but my imagined narratives using actual events for their framework; they are my sincere attempts to tell a story I still find difficult to comprehend nearly fifty years later. Undoubtedly, some of my unconscious motivation was therapeutic. Like Gandolfo (2014), ‘there were certainly benefits at a personal level from going through the difficult process of turning that experience into fiction’. Nevertheless, consciously I was attempting to write narratives with content and themes relatively uncommon in literature when I was that 18 year old; that is, I was exploring my deviance from the norm, as my sexuality was described to 18 year old me by a well-meaning psychiatrist.
| Original language | English |
|---|---|
| Pages (from-to) | 1-7 |
| Journal | Text |
| Volume | 23 |
| Issue number | 2 |
| Publication status | Published - Oct 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 3 Good Health and Well-being
Fingerprint
Dive into the research topics of 'When ‘I’ is me: an author in search of his character'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver