Abstract
Two well-known music theory manuscripts are associated here for the !rst time and, based on textual and stylistic analysis combined with an examination of the historical context, are attributed to the same workshop, led by an artist closely connected to the circle of Matteo Giovannetti.
| Original language | English |
|---|---|
| Pages (from-to) | 16-29 |
| Journal | The Burlington Magazine |
| Volume | 166 |
| Publication status | Published - 31 Jan 2024 |
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