Abstract
This paper examines the thinking machines depicted in the visual and theoretical works of Surrealism and other avant-garde movements of the early 20th century. The aim is to establish to what extent the conceptions of these machines prefigure Turing's ideas about the mechanical brain. Whereas Surrealism and its artistic antecedents (such as the Dadaists) are generally thought to have been uninterested in or mistrustful of such technological developments, it will shown that a number of artists/theorists (Ernst, Duchamp, Picabia, Hausmann, Matta, Dali, Caillois) envisaged the notion of the thinking machine in a manner which anticipated a number of Turing's ideas (the gendered machine, machine consciousness, the child-machine, pleasure-pain systems, randomness).
| Original language | English |
|---|---|
| Title of host publication | Turing Arts Symposium |
| Editors | Cate Dowd, Klem James |
| Place of Publication | United Kingdom |
| Publisher | Society for the Study of Artificial Intelligence and Simulation of Behaviour |
| Pages | 21-28 |
| ISBN (Print) | 9781908187130 |
| Publication status | Published - 2012 |
| Event | Turing Arts Symposium 2012, within the AISB/IACAP World Congress 2012: Society for the Study of Artificial Intelligence and Simulation of Behaviour and International Association of Computing and Philosophy World Congress 2012 - University of Birmingham, Birmingham, United Kingdom Duration: 2 Jul 2012 → 6 Jul 2012 |
Conference
| Conference | Turing Arts Symposium 2012, within the AISB/IACAP World Congress 2012: Society for the Study of Artificial Intelligence and Simulation of Behaviour and International Association of Computing and Philosophy World Congress 2012 |
|---|---|
| City | Birmingham, United Kingdom |
| Period | 2/07/12 → 6/07/12 |
Keywords
- Information and Computing Sciences
- Literature in French
- Art History
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