Abstract
Falling asleep at his desk, Hanserl is visited by Stravinsky, Ravel, Richard Strauss, Julius Bittner, Franz Schreker and Pfitzner - the 'modern masters' as Schoenberg dubs the set - who encourage Hanserl's 'Genius' to compose a popular masterpiece that will 'be accepted by the theatres immediately': Hanserl awakes to find the music composed and the libretto bound and typed. The parody must have struck close to home. Schoenberg, too, in the post-war years, was caught between his obligation, as he saw it, to reinforce and extend the influence of the German musical line, and his desire to follow and to set new trends, especially in opera and theatre.
| Original language | English |
|---|---|
| Title of host publication | Music, Theatre and Politics in Germany, 1848 to the Third Reich |
| Editors | Nikolaus Bacht |
| Place of Publication | Aldershot, United Kingdom |
| Publisher | Ashgate Publishing |
| Pages | 185-210 |
| Edition | 1 |
| ISBN (Print) | 0754655210, 9780754655213 |
| Publication status | Published - 2006 |
Keywords
- Musicology and Ethnomusicology
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