Abstract
The sexual diversity of painted, anthropomorphic figures depicted in the rich rock art assemblage of the vast Kimberley region in northwestern Australia is marked. The assemblage has a Pleistocene origin (Roberts et al. 1997; Ross et al. in prep.) with distinct stylistic changes evident through time (Walsh 2000; Welch 1993). The most recent stylistic period, the Wanjina period, retains its relevance for the Aboriginal inhabitants of the region today.
| Original language | English |
|---|---|
| Article number | March |
| Pages (from-to) | 39-47 |
| Journal | Expression |
| Issue number | 11 |
| Publication status | Published - 2016 |
Keywords
- Aboriginal and Torres Strait Islander Archaeology
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