Abstract
The Australian theatre, television and film industries are dynamic and creative in ways that could never have been imagined half a century ago. Since the 1950s these industries have expanded and demonstrated extraordinary vitality. Our vibrant Australian performing arts industry would not exist in its current form without the creative contribution of actors. Actors are the public face of the performing arts, carrying the immediate responsibility for the success of eac show. Yet they are sometimes left out of theatre history. It is the actors, and often the characters they play, that we remember when we recall a favourite television program, film or play, long after we have seen it. It is the actors who make a play or a television program credible, enjoyable and memorable. The aim of the essays in this series is to document and interpret the specific contributions of actors who have worked in Australia for most of their lives, in order understand their artistry and their world. The actors profiled in these pages came to maturity in the 1950s, 1960s and 1970s. They have shaped our ideas a our identity. Actor-playwright Nick Enright (http://www.austlit.edu.au/austlit/page/A20517) believed in an actor-driven theatre, advocating that the actor should drive the theatrical event in strong collaboration with the director.
| Original language | English |
|---|---|
| Place of Publication | Saint Lucia, Australia |
| Publisher | AustLit |
| Number of pages | 73 |
| Edition | 1 |
| ISBN (Print) | 9780980632262 |
| Publication status | Published - 31 Dec 2016 |
Keywords
- Drama, Theatre and Performance Studies
- Literary Studies
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