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Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

Abstract

Since her breakthrough role in Muriel's Wedding in 1994, Toni Collette has forged a career spanning the Australian and American screen industries. Favoring emotionally and physically challenging parts rather than glamorous roles, Collette has crafted an anti-star persona by playing women living with mental illness or psychological trauma, or mothers caring for family members with mental health issues. Chapter 4 discusses key films that helped establish Collette's anti-star persona and explores the thematic and cultural resonances across these films, which share an interest in mental health and complex portrayals of motherhood. Toni Collette's career offers a case study of the role (and roles) that Australian actors play in global Hollywood cinema and how these performances influence and shape contemporary Australian film.
Original languageEnglish
Title of host publicationAmerican-Australian Cinema: Transnational Connections
EditorsAdrian Danks, Stephen Gaunson, Peter C Kunze
Place of PublicationCham, Switzerland
PublisherPalgrave Macmillan
Pages91-114
Edition1
ISBN (Print)9783319666761, 9783319666754, 9783319882987
DOIs
Publication statusPublished - 2018

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 3 - Good Health and Well-being
    SDG 3 Good Health and Well-being

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