Abstract
Since her breakthrough role in Muriel's Wedding in 1994, Toni Collette has forged a career spanning the Australian and American screen industries. Favoring emotionally and physically challenging parts rather than glamorous roles, Collette has crafted an anti-star persona by playing women living with mental illness or psychological trauma, or mothers caring for family members with mental health issues. Chapter 4 discusses key films that helped establish Collette's anti-star persona and explores the thematic and cultural resonances across these films, which share an interest in mental health and complex portrayals of motherhood. Toni Collette's career offers a case study of the role (and roles) that Australian actors play in global Hollywood cinema and how these performances influence and shape contemporary Australian film.
| Original language | English |
|---|---|
| Title of host publication | American-Australian Cinema: Transnational Connections |
| Editors | Adrian Danks, Stephen Gaunson, Peter C Kunze |
| Place of Publication | Cham, Switzerland |
| Publisher | Palgrave Macmillan |
| Pages | 91-114 |
| Edition | 1 |
| ISBN (Print) | 9783319666761, 9783319666754, 9783319882987 |
| DOIs | |
| Publication status | Published - 2018 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 3 Good Health and Well-being
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