TY - CHAP
T1 - Kassia the Nun c.810-c.865
T2 - An Appreciation
AU - Silvas, Anna Margaret
PY - 2006
Y1 - 2006
N2 - Kassia, Cassia, Kasia, Kassiane, Eikasia or Ikasia, as her name is variously recorded, was a nun of ninth-century Constantinople and the outstanding poet of the Middle Byzantine period. Among the hundreds of hymnographers in the Eastern Church, only four women are positively identified: Theodosia, Thekla, Kassia and Palaiologina (Topping 1982/83). and of these, only one had her works admitted into the liturgical books: Kassia. She is unique. Moreover, she composed a body of non-liturgical verse, in which she comments on the social life of her times. Furthermore, three letters to her from St Theodore the Studite have survived, giving us a precious glimpse into her early life and character. Lastly, there was the tradition of her appearance in an imperial 'bride-show', which became the stuff of folklore in the following centuries, while the character portrayed in her most famous hymn (treated later in this paper) was applied to her, so that it was thought that she herself had been a 'fallen woman', a misconception corrected by Topping (1981). By revisiting these sources, this paper hopes to present a fresh appreciation of the person of Kassia. How did the spirited, educated, highly gifted woman steer her way in the mid-Byzantine era which she lived? What is the character of her spiritual doctrine? What is her 'theology' of woman?
AB - Kassia, Cassia, Kasia, Kassiane, Eikasia or Ikasia, as her name is variously recorded, was a nun of ninth-century Constantinople and the outstanding poet of the Middle Byzantine period. Among the hundreds of hymnographers in the Eastern Church, only four women are positively identified: Theodosia, Thekla, Kassia and Palaiologina (Topping 1982/83). and of these, only one had her works admitted into the liturgical books: Kassia. She is unique. Moreover, she composed a body of non-liturgical verse, in which she comments on the social life of her times. Furthermore, three letters to her from St Theodore the Studite have survived, giving us a precious glimpse into her early life and character. Lastly, there was the tradition of her appearance in an imperial 'bride-show', which became the stuff of folklore in the following centuries, while the character portrayed in her most famous hymn (treated later in this paper) was applied to her, so that it was thought that she herself had been a 'fallen woman', a misconception corrected by Topping (1981). By revisiting these sources, this paper hopes to present a fresh appreciation of the person of Kassia. How did the spirited, educated, highly gifted woman steer her way in the mid-Byzantine era which she lived? What is the character of her spiritual doctrine? What is her 'theology' of woman?
KW - Latin and Classical Greek Languages
UR - http://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=8507&edition_id=9670
UR - http://nla.gov.au/anbd.bib-an40308427
UR - http://books.google.com.au/books?id=T4eMlP3nV4YC&printsec=frontcover#PPA17,M1
M3 - Chapter
SN - 9780754657378
SN - 075465737X
T3 - Publications of the Centre for Hellenic Studies, King's College London
SP - 17
EP - 39
BT - Byzantine Women: Varieties of Experience 800-1200
A2 - Garland, null
A2 - Linda, null
PB - Ashgate Publishing
CY - Aldershot, United Kingdom
ER -