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In the Key of Green? The Silent Voices of Plants in Poetry

  • John C Ryan

    Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

    8 Citations (Scopus)

    Abstract

    In his 1826 'Observations on the Growth of the Mind', Sampson Reed wrote: "Everything which is, whether animal or vegetable, is full of the expression of that use for which it is designed, as of its own existence .... Let [us] respect the smallest blade which grows, and permit it to speak for itself. Then may there be poetry, which may not be written perhaps, but which may be felt as a part of our being."1 Since this plaintive appeal by Reed, allowing the "smallest blade" (or, prickliest spine or loveliest heart- shaped leaf) to speak has become a technological preoccupation for some. Let us begin with a typical example. Cactus Acoustics is a project that aims to allow saguaro cacti to vocalize.2 We might imagine the voice of the burly saguaro as gruff and slightly imposing. Growing to considerable proportions- up to five stories high, eight tons in weight, and over a hundred years in age- 'Carnegie gigantea' is endemic to the Sonoran Desert.
    Original languageEnglish
    Title of host publicationThe Language of Plants : Science, Philosophy, Literature
    EditorsMonica Gagliano, John C Ryan, Patricia Vieira
    Place of PublicationMinneapolis, United States of America
    PublisherUniversity of Minnesota Press
    Pages273-296
    Edition1
    ISBN (Print)9781517901851, 9781452954127, 9781517901844
    Publication statusPublished - 2017

    Keywords

    • British and Irish Literature
    • North American Literature

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