Abstract
Barbie has shared a long and evolving relationship with the Olympics, closely mirroring the cultural, economic, and political changes from the Cold War through to the contemporary era. Starting with her Olympic-inspired outfits in 1964, Barbie’s Olympic journey intersects with significant geopolitical tensions, including the fierce rivalry between the US and Soviet Union, and later, the commercialised spectacle termed ‘Celebration Capitalism’. Through careful branding and strategic partnerships, Barbie reflected and contributed to America’s Cold War ideology, embodying capitalism, consumerism, and national pride. Despite facing criticism for reinforcing limited and stereotypical ideals of femininity, Barbie continuously adapted her image to respond to shifting social attitudes, eventually embracing greater diversity and inclusivity in representation, including athletes from varied backgrounds and abilities. Barbie’s ongoing Olympic association underscores broader societal transformations, from heightened corporate sponsorship and global consumerism to evolving gender norms and multicultural awareness. As the Olympics evolved from a Cold War battleground into a global commercial and cultural phenomenon, so too did Barbie, capturing the complexities of modern identity, athletic achievement, and international relations.
| Original language | English |
|---|---|
| Title of host publication | The Barbie Phenomenon, Volume 2: Icon, Brand, Celebrity and Fandom |
| Editors | Jo Coghlan, Lisa J. Hackett, Huw Nolan |
| Place of Publication | United Kingdom |
| Publisher | Routledge |
| Volume | 2 |
| Edition | 1 |
| ISBN (Print) | 9781041007609 |
| DOIs | |
| Publication status | Published - 31 Dec 2026 |
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