Abstract
Each September, contemporary music enthusiasts, composers, scholars and performers from around Australia migrate toward the Victorian regional city of Bendigo for BIFEM, a remarkable music festival now in its third year. The festival has established itself as an annual event of unparalleled significance in Australia – not only as a forum for the presentation of exciting and little-heard music, but as a gathering of like-minded peers. A high proportion of the audience consists of musicians and composers, so informal conversations between concerts are almost as stimulating as the programmed forums and workshops that take place during the festival. In 2015, over the weekend 4–6 September, almost every work in the programme was an Australian premiere, which gives some further evidence of the importance of the festival to the nation's cultural ecology.
| Original language | English |
|---|---|
| Pages (from-to) | 94-95 |
| Journal | Tempo (London. 1939) |
| Volume | 70 |
| Issue number | 275 |
| Early online date | 7 Dec 2015 |
| DOIs | |
| Publication status | Published - 31 Jan 2016 |
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