Skip to main navigation Skip to search Skip to main content

Analysing gender oppression in music therapy research and practice

  • Sue Baines
  • , Jane Edwards

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

2 Citations (Scopus)

Abstract

Health research approaches and practices have historically developed in a culture of privilege, often described as white male privilege. As interpersonal therapies such as music therapy and psychotherapy rely on the therapist's use of the self, it is incumbent on training programs, trainers, and students to first be aware of their own cultural identity, rather than focusing on cultural sensitivity training and awareness that only perceive the "other". Music can transmit oppressive information, including information about gender. Limited acknowledgment of feminist theory in music therapy has presented possible reasons why the foundational tenet of feminism, gender analysis, particularly with the modern intent of decreasing binary theories of gender, is rarely present in music therapy publications. Employing critical cultural analyses within research and treatment practices can begin to address oppression and inequities. Music therapists have explored the relevance of feminist theory to the practice of music therapy.

Original languageEnglish
Title of host publicationArts Therapies and Gender Issues: International Perspectives on Research
EditorsSusan Hogan
Place of PublicationLondon, United Kingdom
PublisherRoutledge
Pages37-54
ISBN (Print)9781351121958, 9780815358695
DOIs
Publication statusPublished - 2019

Publication series

NameInternational Research in the Arts Therapies
PublisherRoutledge
Number4

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 5 - Gender Equality
    SDG 5 Gender Equality

Fingerprint

Dive into the research topics of 'Analysing gender oppression in music therapy research and practice'. Together they form a unique fingerprint.

Cite this